Category Archives: Blog

Holly Hudak named Managing Director of Cleveland Orchestra Miami

Ms. Hudak is currently the chief executive of the Chicago Youth Symphony Orchestras and previously was a senior executive with the Chicago Symphony Orchestra. Continue reading

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The Game Change According to Saint Osvaldo

So the question is, who is Osvaldo Golijov and why is he such a big deal? That is, such is the question on the outside chance that someone who reads a blog in a Cleveland Orchestra site is not familiar with the composer of the songs soprano Dawn Upshaw will sing this weekend at Knight Hall. But not everyone who cares about classical music cares about contemporary work enough to follow it.  So skip this if you know it already; otherwise, hang with me for a short while. Though he’d been around long enough to study with George Crumb, earn a Ph. … Continue reading

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Original Copy — A Classical Scandal Ripples Into Town

  American soprano Dawn Upshaw, who will sing three songs by Argentine composer Osvaldo Golijov this weekend with the Cleveland Orchestra at the Arsht Center’s Knight Concert Hall, finds herself connected to the hottest controversy of the moment in classical music. For Golijov, who a decade ago became as much of a rock star as one can be in his field, has recently been accused of plagiarism by critics and scholars, and provoked a debate about originality, creativity, and ethics in the high arts. “I haven’t talked to Osvaldo about it,” said Upshaw at the Arsht Center, where she is rehearsing. The three songs she … Continue reading

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Cleveland Orchestra Miami Gets Serious

Little more can be added to what has already been said about this weekend’s Cleveland Orchestra concerts – see South Florida Classical Review. About Bronfman’s mastery, for example. Or the flawless interpretation of the Shostakovich 6. But one point is worth underscoring. The orchestra is bringing us a rich offering, unafraid of performing anything but the most beloved chestnuts. The 6 is not Shostakovich’s most performed and though the Russian master is hardly an unknown, he is a modern and that itself puts his work in a more than crowd-pleasing category. Brahms is, after Beethoven, the quintessence of the canon. … Continue reading

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Sounding Off on Sound: Bronfman’s Brahms Blunted

A couple of concertgoers told me they could not hear Yefim Bronfman’s piano, which they found wonderful anyway, as clearly as they would’ve liked to. I always thought the acoustics at Knight Hall were near perfect and any seat was an excellent one — excepting wishes to see and be seen, and, more importantly, the pleasure of a good sight of a soloist, in this case, his hands. Anyone else encounter such issues at the hall, at this or any other concert?

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Hot Scenes of Winter: Shepherd In the Subtropics

Perhaps it was because I first encountered Sean Shepherd’s music online, that most disembodied medium, but when I finally heard him performed by the Cleveland Orchestra at Knight Hall, I closed my eyes. There. That makes the most sense. One is usually curious about who is making what sounds, how deftly an instrument is fretted and bowed, what physical energy is fueling the feelings, in what manner the conductor is pulling and pushing a composition. But after a few minutes of watching, it felt better not to. As if Shepherd’s Wanderlust emanated from another dimension. An inner one. Touched by an outer one. One … Continue reading

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Is the Rest Silence?: Music In the Time Of the Crisis

Walking into the middle of a session for U of Miami Frost School of Music composition students guided by Sean Shepherd at a room in the Knight Hall is like entering a scene from an elegant and spare art movie. The room is modern. So is the music. Most of the characters are young and casually attired. Everyone is very intense and intent on playing and listening. With Cleveland Orchestra musicians interpreting the work with the same seriousness they play the masters, this was the first time these young composers heard their music precisely, sharply, as they wrote it. Which was enlightening, for … Continue reading

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Fine Tuning: The Promise of a New Season

They’re in town. Once more The Cleveland Orchestra has begun its yearly Miami residency. By now, the orchestra is woven into the fabric of cultural life in our city. But no complacency. A new managing director, Bruce Coppock, has been talking to our community to better understand the curious phenom that is Miami and make changes in the project. What? He has not talked to you? No problem. This is the most democratic of media — as long as democracy includes Internet access. Let him, us, know what you think, right here in our Comments. What should the Cleveland Orchestra be about … Continue reading

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Ne mangez pas le pianiste!

One of Julio Cortazar’s eerie short stories takes place in a concert hall, where a performance is so well received that the audience rises spontaneously to a wildly enthusiastic standing ovation, and continues to be so moved that they rush toward the stage to render their appreciation to the conductor. The Argentine master of magical realism describes the rush along aisles and corridors, as the elegantly dressed crowd flows toward the object of their admiration. Soon enough it’s clear that enthusiasm has degenerated into pandemonium. And beyond. Without bearing witness to the act of audience love, Cortazar tells how some of … Continue reading

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Musical Mortar; What Makes a Great Orchestra

After a long hiatus, some very broad musings on The Cleveland Orchestra. Bruce Coppock, the new director of the Orchestra’s Miami Residency, calls the Orchestra “arguably the best orchestra in the country, one of the top in the world.” True, there are few American orchestras that could match, never mind surpass, the excellence of The Cleveland Orchestra. And, in the world, there are orchestras whose characteristics include differences in the interpretation of a piece, but The Cleveland Orchestra stands among the best. The question remains, what accounts for the excellence. I pondered this thought during the last Miami season, as I … Continue reading

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