February 28, 2014
Cleveland Orchestra and Frost School of Music string quartet at the workshop in February

Music performance is always a conversation. Between musician(s) and public, to be sure. But also among musicians. The conversation can be scripted, like a play, with room for interpretation, also like a play, and that is the case of classical music. It can be lightly scripted with lots of room for improvisation, and that’s jazz. It can be rowdy, and that’s rock’n’roll. It can be pious, in church, or profane, anywhere where liquor is served and sensuality is in the air. And it can also be just that, conversation, actual talk, which is what happens in a rehearsal. Frost School … Continue reading


February 22, 2014
Cleveland Orchestra octet and Frost student composers at a workshop in February

Does a reading of student compositions tell us anything about where classical music is or has been heading? As I listened to an octet of Cleveland Orchestra musicians perform the works of the very skilled composition students at the University of Miami Frost School of Music some thoughts came to mind. This exercise could not be more valuable, for the students not only heard their pieces played by professional musicians but by virtuosi of the highest order. And the students were becoming savvy to the specifics of writing for an orchestra — which the octet, conducted by Brett Mitchell, represented. … Continue reading


February 8, 2014
If they clap, shoot them!

To clap or not to clap, that is the question:/Whether ‘tis Nobler in Knight Hall to suffer/The itch and restlessness of a frozen audience,/Or beat your arms in applause at the end/Of every godforsaken movement. A thoughtful post (in Spanish) by Sebastian Spreng posed the question of applause protocol. Instead of the traditional silence, there is now some clapping between movements, a noisy behavior adopted and sanctioned by some in the classical music community. Spreng recalls a marvelous concert from his Buenos Aires youth. A nadie se le ocurría romper el hechizo, he writes. No one could imagine breaking the … Continue reading


February 1, 2014
Simon Keenlyside as Don Giovanni

Audiences at this weekend’s Cleveland Orchestra concerts may want to know that hearing British baritone Simon Keenlyside sing with the orchestra is a singular experience (and not because the “barihunk” sang with an open collar). “His schedule would only allow these concerts in Miami”, said the orchestra’s Executive Director Gary Hanson during intermission. “He has not sung with the orchestra in Cleveland since 2011.” Regardless of one thinks of the performance, a question we will leave to the reviewers, the second concert of the season is singular in another way. One of the veteran concertgoers expressed his disappointment with the first … Continue reading


January 31, 2014
It's a dance!

“It make you think of what it takes to put it together, what went into it,” said Betsy Foote, who with her husband Tad was attending a Cleveland Orchestra open rehearsal for donors and students at the Knight Hall. She confessed that she had “to move with the music” and couldn’t keep still in her seat, a normal response to the fact that The Rite of Spring is basically a dance. And she said watching the rehearsal, as Franz Welser-Möst fine-tuned the performance, would enhance her experience at the concert. Interestingly, neither of the Footes is a classical musician nor … Continue reading